I, Vampire #0 Review

Joshua Hale Fialkov and Andrea Sorrentino have been showing up a majority of DC’s New 52 since its debut one year ago, and they’ve done it again by using the zero issue in the best way I’ve yet to see. Not only do they tell how Andrew Bennett became a vampire, but they infuse the telling with details small and large that answer burning questions any reader might have. Chief among them, how did Andrew get that sexy white stripe in his hair?

The eerie and dreadful feel of this series has never waned, and here Sorrentino makes it feel more intense than ever before. In the present Andrew has vampire powers to help him out, but we see him now as a youthful romantic with nothing but a skinny sword to ward off a monstrous vampire. Even though I knew his fate before opening the first page, Sorrentino’s chilling art style had me biting my lip in fearful anticipation as the inevitable teeth-sinking moment came to fruition.

Fialkov has blatantly detailed this event throughout his run, but he left just enough stones unturned that seeing it play out first hand becomes a rewarding experience. While many writers spell everything out, Fialkov and Sorrentino put emphasis on the art so that it enhances the story instead of providing a running commentary. The details of how Andrew becomes a vampire means something to the overall story, and that “ah-ha!” moment reverberates back to the main narrative, making this zero issue not only entertaining but essential.

Joshua is a writer for IGN. Follow him on Twitter or IGN, but only if you are prepared to hear more about Darth Maul, Green Lantern, and Doop than you would ever care to know.

Source : ign[dot]com

Activision Blizzard Sale ‘Still Under Consideration’

A new report suggests that Vivendi is still interested in selling its majority stake in Activision Blizzard. According to CVG, a credible source says the sale "absolutely remains under consideration" and that Vivendi is exploring its options.

CVG also reports that negotiations between Vivendi and Microsoft, who was once considered as a buyer for Activision Blizzard, “have not advanced,” while Sony “immediately ruled out” the idea of a purchase.

Vivendi owns a 61% stake in Activision Blizzard, which it acquired in 2008. Activision Blizzard’s value is currently estimated at $13.4 billion, making Vivendi’s stake worth approximately $8 billion. Due to Vivendi’s current debt, it’s been considering a sale since early June, but was later said to be finding “little enthusiasm” from buyers including Microsoft, Disney, Tencent and Nexon due to the massive amount of cash required to make the purchase.

Later reports suggested that Activision could partner with investors to buy itself back from Vivendi. Activision has only publicly commented on the sale during its second quarter 2012 earnings call last month, when CEO Bobby Kotick said “While we're unable to comment on Vivendi's behalf, we continue to remain focused on strong execution, the delivery of great games and the provision of superior shareholder returns as we have for over 20 years. Our strategy has served us very well in the past and will position us very well for the future.”

The future of the sale is uncertain for now, but while we wait for concrete information to emerge, read our thoughts on what would happen if Microsoft bought Activision Blizzard.

Andrew Goldfarb is IGN’s associate news editor. Keep up with pictures of the latest food he’s been eating by following him on Twitter or IGN.

Source : ign[dot]com

Hulk #56 Review

The odds aren't looking too great for Red Hulk as the fourth chapter of  Mayan Rule opens. The majority of Alpha Flight and his gamma-powered allies have been drained by the rejuvenated Mayan gods, and only his robotic companions are left to aid Red Hulk in the fight. But when have the odds ever been in his favor?

Issue #56 offers less of an action-packed romp and more of a downbeat adventure that sheds more light on the nature and motivations of the gods. Some of this material seems a bit counterproductive. With so many religious and mythological pantheons co-existing in the Marvel Universe, why do the Mayan gods need a more logical, scientific explanation for being? Still, these revelations cast the conflict in a new light and should make for an interesting finale.

This approach also allows Machine Man to step up to the plate again, which is never a bad thing. Red Hulk is about as battered and weakened as he's ever been in this issue, and Parker takes the opportunity to reinforce just how much Ross has come to depend on both Aaron and Annie. What began as an ensemble storyline has become far more intimate and contained. But while it's disappointing that Alpha Flight have been relegated to the background, Parker is focusing on the character dynamics that have made the series such a blast from the beginning.

Dale Eaglesham's artwork isn't quite up to the quality established in the previous issues. Some of his framing is a little odd, with characters seeming to fade out of focus and into the background. On the plus side, the lengthy flashback to the origins of the gods allows Eaglesham to branch out and tackle some more unusual, non-super-heroic imagery. Hopefully Eaglesham will be back in top form for the finale issue.

Jesse is a writer for IGN Comics and IGN Movies. He can't wait until he's old enough to feel ways about stuff. Follow Jesse on Twitter, or find him on IGN.

Source : ign[dot]com

Animal Man #12 Review

With any episodic story there inevitably comes the “recap” installment where the characters spend a majority of the issue reflecting on the past and little else. Luckily, Jeff Lemire and Scott Snyder sidestep the painful parts of this necessary evil and add in just enough new content to set up for the long-brewing Rotworld storyline.

With so much build up to Buddy Baker finding Swamp Thing, their first meeting proves to be underwhelming. Both are some of the best written characters in DC’s current stable, but they wind up having a bland interaction that merely serves as a giant information dump. Where’s the friction and personality to these two heroes that have made their books so enthralling to read? The one highlight of their interaction comes when Swamp Thing lifts up a startled Buddy and leaps into the Rot-pond. The look on Buddy’s face is priceless.

Steve Pugh ups his game for this crossover issue and provides more minute details to the setting than ever before. Vines creep up a railing, haunting figures are showcased in front of an apocalyptic backdrop, and the first journey into the Rot has a sickening amount of bones, teeth, and flies. A montage detailing the interactions between the Green, the Red, and the Rot looks stunning with its veiny structure not unlike Yanick Paquette’s plant-paneling in Swamp Thing. With the marrying of both art style and story concepts, the Animal Man and Swamp Thing creative teams have set up a crossover that I can’t wait to read. Given general hate for crossovers, that is a strange feat indeed.

Joshua is a writer for IGN. Follow him on Twitter or IGN, where he is hell-bent on making sure you know his opinion about comic books.

Source : ign[dot]com