Showing posts with label powers. Show all posts
Showing posts with label powers. Show all posts

Wednesday, 12 September 2012

Uncanny X-Men #18 Review

The cover might feature a sexually aggressive Scott on top of Emma, but the best part of this comic comes from Colossus and Magik’s conversation after losing their Phoenix powers. Luckily there’s nothing sexual about their encounter. Instead, Kieron Gillen brings a long-brewing tension between the siblings to a head and we are treated to a surprising revelation that comes as no surprise at all.

This issue takes place during Avengers vs. X-Men #11 (so read that first) and showcases a mental conversation between Scott and Emma. They eat mind-steak and drink mind-wine at a fancy dinner table in their minds while in reality they are waging a war. Unfortunately, Gillen does not give us any real insight into Scott’s motivations to commit the acts we see in AvX #11. Their whole interaction feels like the sparsest of appetizers, while the real meat and potatoes comes from the first half featuring Colossus and Magik.

Ron Garney does a fair job at rendering the events of the story, but at times his linework becomes too erratic and saps the sharpness from his drawings. There are a few standout moments, namely Colossus’s Juggernaut rage-out and Scott’s last two pages, but a lot of the smaller moments do not look as good as the big ones. While this issue does have a tidbit of interesting content, it ultimately becomes just another victim to the nature of event crossovers: you can hint at something cool that happens, but only the main event title gets to show it.

Joshua is a writer for IGN. Follow him on Twitter or IGN, but only if you are prepared to hear more about Darth Maul, Green Lantern, and Doop than you would ever care to know.


Source : ign[dot]com

Thursday, 6 September 2012

Eastbound and Down: Season Three Hits BD, DVD

Any Kenny Powers fans out there? You're probably already reeling that the hit comedy series, starring Danny McBride, will continue into a surprise fourth season. And now, HBO Home Entertainment will bring Eastbound & Down: The Complete Third Season to Blu-ray, DVD and Digital Download December 4, 2012!

The two-disc set will be presented in 1.78:1 widescreen, encoded in 1080p high definition, with 5.1 DTS-HD Master Audio tracks for each episode. Extras will include the following:

  • Outtakes: Blooper Reel
  • Deleted Scenes
  • "Dinner with the Schaeffer's" - exclusive deleted scene
  • Eight Audio Commentaries with Danny McBride, Jody Hill, Steve Little, David Gordon Green, Katy Mison, Craig Robinson and more

Suggested Retail for the Blu-ray is $39.98, and $29.98 for the DVD. Amazon's pre-order price for the Blu-ray is currently set at $35.98, and $26.98 for the DVD.

Stay tuned for more news regarding this release. In the meantime, be sure to read our Blu-ray reviews of Season One and Season Two.

"Do you realize how many great advancements of mankind have been tied to speed? This is a moment in history, right here, right now." Become a friend of R.L. Shaffer on TwitterFacebook or MyIGN for quotes, rants, reviews, news and more!


Source : ign[dot]com

Friday, 17 August 2012

Stallone vs Schwarzenegger: Battle of the Trailers

With cinema’s greatest action heroes going toe-to-toe in The Expendables 2 this week, the powers that be decided it would be a good time to launch the trailers of two action movies starring the two biggest stars of them all last night.

Bullet to the Head is an ‘80s action throwback that stars Sylvester Stallone, while The Last Stand is an '80s action throwback that stars Arnold Schwarzenegger.

So with these two long-time rivals going head-to-head, we thought we’d pit their trailers against each other in a winner-takes-all deathmatch. So read on to find out if Sly or Arnie comes out the other side victorious.

THE PLOT

Bullet to the Head

Sylvester Stallone stars as a New Orleans hit-man who teams up with a New York City cop to bring down the killers of their respective partners.

The Last Stand

Arnold Schwarzenegger plays a small-town sheriff who is forced to put his life on the line when a drug-lord enters his jurisdiction while making a break for the border.

THE ACTION

Bullet to the Head

The trailer kicks off with a near-naked Stallone – save for a pair of boxer shorts – kicking the proverbial out of someone poor unfortunate soul in what looks like a bath-house. There follows several montages of quick-fire punch-ups and bodies falling from tall buildings alongside shots of cars blowing up. Lots of shots of cars blowing up.

The Last Stand

Arnie’s film kicks off with a spectacular car stunt involving lots of guns and bullets and continues in this vein, with The Last Stand clearly featuring more than its fair share of car chases, including one involving a school bus. Schwarzenegger himself gets thrown through a door before putting the beat down on one of the baddies, and it concludes with the money shot – Arnie firing a shotgun with purpose, Terminator-style.

THE DIALOGUE

Bullet to the Head

Stallone does tough: “You know who I am? A problem solver. I take out the trash.”

Stallone does racist: “What are you going to do – bring out some kung fu from the homeland?”

Stallone makes a threat: “I swear to you when I get this guy, it’s going to be bad.”

Stallone does funny: “Are we gonna fight, or are you planning on boring me to death?”

The Last Stand

Schwarzenegger gets it wrong: “It’s my day off – should be a quiet weekend.”

Schwarzenegger does serious: “I’ve seen enough blood and death – I know what’s coming.”

Schwarzenegger makes a threat: I’m not going to let that guy come through our town without a fight.”

Schwarzenegger does funny: “How are you sheriff?” “Old!”

THE CO-STARS

Bullet to the Head

Christian Slater, looking like he’s about to get a bullet to the head.

The Last Stand

Johnny Knoxville, looking like he’s channelling his character from The Ringer.

THE STARS

Bullet to the Head

Stallone is looking as tough as he’s ever been in Bullet to the Head, cracking bones and gags with the effortlessness of an experienced pro. Judging from the top-less brawl he’s still in good shape, while the tag-line reads ‘Revenge never gets old,' and from this trailer it appears that neither does Sly.

The Last Stand

Schwarzenegger is looking a little creaky in this one, although that might be because the trailer plays upon his aging sheriff enjoying the quiet life in a small town. That said, once he gets that murderous look in his eye and starts shooting the place up to protect his patch, it’s a bullet-ridden joy to behold.

THE WINNER

Got to be Bullet to the Head, with Sly’s vengeful hit-man narrowly defeating Arnie’s aging law-man on the anticipation front. But that’s just our opinion - let us know in the poll below which trailer you like best, and look out for The Last Stand in cinemas next January and Bullet in Feb.

Chris Tilly is the Entertainment Editor for IGN and hopes Arnie doesn't read. His idle chit-chat can be found on both Twitter and MyIGN.


Source : ign[dot]com

Wednesday, 15 August 2012

Wonder Woman #12 Review

Brian Azzarello just made me a Wonder Woman fan for life. By dating this story just enough to let him play around with the origin of her powers, and reveal some new ones, Azzarello has given meaning to aspects of Wonder Woman’s character that have long been taken for granted. Flight is so commonplace in superhero books that it’s easy to forget its symbolic importance, as well as the rush of adrenaline that comes when your new favorite hero does it for the first time.

Right up there with Azzarello’s focused epic story is Cliff Chiang’s artwork that looks better with every issue. There are too many eye-popping, fist-pumping moments to name just one, but what’s most impressive is how Chiang makes it look so easy. His characters are lean and have simple yet defined looks. They move about the page with power and grace. There’s never a moment of confusion as to how the action is unfolding. This book is a lesson in how to draw a good comic.

So many plots threads come together in such poignant ways that after my initial read through, I read it two more times just to see how Azzarello did it all so masterfully. There are themes of birth, freedom, loyalty, and spirituality that all wind together with the art to create visual poetry. DC is putting out a fair number of strong books, but with this conclusion to Birth Right, Wonder Woman crushes them beneath her boot.

Joshua is a writer for IGN. Follow him on Twitter or IGN, where he is hell-bent on making sure you know his opinion about comic books.


Source : ign[dot]com