Showing posts with label origins. Show all posts
Showing posts with label origins. Show all posts

Thursday, 6 September 2012

Rayman: Jungle Run Announced for iOS, Android

Ubisoft has announced Rayman: Jungle Run for iOS and Android. Jungle Run is built on the same UbiArt framework engine that powered Rayman Origins on consoles and features new worlds, new unlockable powers and new controls enhanced for touch screens.

On iOS, Jungle Run will support multiple cloud saves and GameCenter leaderboards, as well as graphics enhanced for the Retina Display. Players will also be able to unlock exclusive wallpapers.

Jungle Run is set to hit iPad, iPhone, iPod Touch and Android on September 20th.

Andrew Goldfarb is IGN’s associate news editor. Keep up with pictures of the latest food he’s been eating by following him on Twitter or IGN.


Source : ign[dot]com

Wednesday, 5 September 2012

Action Comics #0 Review

If this month's #0 issues are all about looking back and shedding light on the origins of various heroes in the New 52, where does that leave Action Comics? Grant Morrison's relaunched series has essentially been one big origin tale from the start. Luckily, Morrison finds room before the events of issue #1 to explore Clark Kent's very first adventure as Superman and the theft of his indestructible cape. While Action Comics #0 doesn't really need to exist in the larger context of this run, it delivers enough memorable character moments that it's well worth  read regardless.

The best compliment I can give this issue is that it feels more consistent and cohesive than the majority of Morrison's previous issues have been. The plot is relatively simple by Morrison standards, so rather than cutting between scenes and points in time intermittently, Morrison is able to follow the journey from point A to B in a more methodical manner. Issue #0 opens where one of the recent backup stories left off, with Clark ordering his first batch of Superman T-shirts. From there, we see him settle into his role at the Daily Star, interact with Jimmy Olsen, and put his growing abilities to the test for the first time as Metropolis' new defender.

Again, it's the character work that makes this issue. Morrison once again shows how easy it is to craft a compelling Clark Kent -- one who is both human and relatable yet also powerful and noble. Clark enjoys a definitive Superman moment in this issue that pays homage to his Golden Age, "man of the people" roots. But Jimmy Olsen also has a strong showing in this issue. Morrison sheds a great deal of light on what drives the character in the New 52 universe. The result is a more down-to-earth and independent-minded take on Jimmy than the flamboyant globetrotter Morrison wrote in All-Star Superman.

Issue #0 doesn't add much to the greater picture. The script acknowledges the recent revelations about Cark's landlady and her 5th Dimensional origins, but apart from that the book could just as easily have shipped a year ago to kick off Morrison's run. The subplot involving the stolen cape doesn't amount to much. What this conflict does accomplish is reminding readers that Morrison's Superman is as concerned with the individuals of Metropolis as he is with alien invasions and Justice League matters. It takes a deft hand to pit Superman against a child abuser and not have the results turn out hokey or preachy, but Morrison manages it.

Issue #0 benefits from a much more consistent visual style than the series tends to offer. Ben Oliver fills in for Rags Morales this month. While there's a certain sterility and coldness to Oliver's work (some of the smaller details Morales worked into his panels are sorely missed), there's a lot to be said for clean lines and an overall much smoother presentation.

Sholly Fisch delivers another backup feature to complement the main tale. Interestingly, this story delves into Morrison's ongoing mythology much more than these backups have tended to in the past. Fisch doesn't focus on Superman here, but rather the origins of the Captain Comet/Neo-sapiens subplot from recent issues. Again, this material isn't necessarily that vital, but it adds a bit of color to previous stories. It's nice to have one issue that slows down the breakneck pace of the series and focus on the characters before Morrison begins his final push.

Jesse is a writer for IGN Comics and IGN Movies. He can't wait until he's old enough to feel ways about stuff. Follow Jesse on Twitter, or find him on IGN.


Source : ign[dot]com

Thursday, 2 August 2012

Mass Effect 3: Leviathan DLC Announced, Wii U Launch Title

During its summer showcase today, EA officially announced Mass Effect 3’s Leviathan downloadable content. According to EA, the content allows players to “discover more about the origins of the Reapers as they race across the galaxy to unravel the mystery that surrounds the fabled Leviathan.” It'll pack new planets and characters, but you'll still play as Commander Shepard.

Leviathan was originally revealed by leaked files extracted from the Extended Cut endings. Later, the content was confirmed by voice actor Anthony Skordi (who plays Leviathan). BioWare also hinted at new Mass Effect 3 content during Comic-Con, showing a teaser that included a red Atlas Mech underwater.

Specific details about Leviathan haven’t been announced, but we know it follows the search for Leviathan, a rogue reaper who has indoctrinated a mining colony. Look for it this summer on 360, PS3 and PC.

It was also revealed that Mass Effect 3 will be a launch title for the Wii U and pack a digital motion comic (similar to the Mass Effect 2 one for PS3) that allows Wii U players to make choices and build their Shepard's history.

Andrew Goldfarb is IGN’s associate news editor. Keep up with pictures of the latest food he’s been eating by following him on Twitter or IGN.


Source : ign[dot]com

Wednesday, 1 August 2012

How DayZ Came to Life

Very few video games can trace their origins to the jungles of Brunei, an unforgiving mountainous terrain of soul-sapping humidity, giant ants and longhouse-dwelling native peoples.

But this is where Dean Hall conceived of DayZ, the ArmA II apocalypse-survival mod that’s one of the most popular PC games in the world right now.

Brunei environment

Hall was dropped into the jungle while serving in the New Zealand Armed Forces, a 30-day infantry-survival exercise that strained he and his team-mates’ endurance. They foraged for food and water and tried to survive a relentless environment. As the heat began to take its toll he became malnourished, suffered an injury and, when it was over, spent months recovering in hospital.

The idea for DayZ came from that experience. Hall, aka ‘Rocket’, tells IGN, “I became very interested in a survival-type game, in the levels of subtleties and decision-making that's forced on you based on an emotional context. What happened in Brunei made me really reflect on those elements of the training exercise that brought out an emotional response in me. That's what DayZ is all about.”

DayZ Environment

He adds, “Brunei was a fantastic, life-changing experience for me, definitely. But with a bad element to it as well. I ran out of food very quickly and I was malnourished. So when I came back, my insides hadn't been working properly, my hair had started to fall out, my nails had turned yellow, and so when the whole pipe-works started up again, it tore itself to pieces.”

Purity and Primal Struggle

The game’s attraction is its purity in depicting a primal struggle to stay alive, to forage, avoid danger and stay healthy. It’s set in a tough world of zombies and spartan resources. But any player will tell you, the biggest danger is other survivors.

When you strip away the conventions of our society, of our civilization, this is what ‘post-apocalyptic’ survival really means. People mostly behave like bastards. Every now and again, they offer help, they group together, they create usefulness from the knick-knacks they find. DayZ is a simulation of how people behave in extraordinary circumstances.

It’s the game’s roots as a survival sim that persuaded Hall and the team to significantly change the rules. Previously, players would spawn with a gun in their possession. Now, they spawn entirely unarmed. Only a significant time-investment and deep risk-taking will yield up a rifle and a few rounds, or a blade. The use of these weapons is far from being a guarantee of survival. To zombies, gunshots sound like dinner bells. Any form of combat is extremely risky.

Hall explains the decision to spawn new characters without any defense. “When I originally scoped the mod out, I wanted it to be very brutal, and I wanted the finding of your first weapon to be a real event for the player. But that wasn't possible because of the way zombies were scripted to work. They basically chase you forever. Recent options made that change possible.

"Now, when I sat down and analyzed the numbers, I realized that a lot of new players were being killed by seasoned players, simply because they represented a risk. They were walking around with their Makarov, the little pistol, and they presented a risk to these veteran players. What we found is that a lot of veteran players won't shoot new players who don't have a weapon, because they present no risk. Obviously there's some people who will shoot you no matter what. But we've definitely found that there are people who don't.”

Choices and Tension

The game isn’t really about zombies, it’s about you, the choices you make and the skills you have.

Dean 'Rocket' Hall

Hall says, “We're all scared of natural disasters and big changes. Zombies are easy for us to explain in a narrative. The real part of it comes from the subtlety of its tension. Your character gets hungry, your character gets thirsty. There's no easily-definable mechanic that you can turn around and say, you have to eat every four hours, or you have to eat every three hours. The answer is always - 'well, it depends'. It depends on how much you're carrying, how often you're running, what the weather's doing, how injured you are. The idea is to create these subtle but intuitive tensions, and I think that's really what delivers for the players.”

He adds, “Your character is your character. For example, the stars in ArmA II are mapped to the time, location, and season that your mission's set in. If you can read the stars in real life, to figure out which direction is north or south, then you can do so in the game. There are no instructions, there's no manual, there's no tutorial, it's just you waking up on the beach and having to figure it out for yourself.”

Standalone Version

Of course, the mod has been an enormous success. ArmA II, which is required to play the mod, has been on Steam’s top-five list for weeks. Prague-based publisher Bohemia Interactive had almost 500,000 registered players at the beginning of July, a number that is now touching one million. The mod is a hot conversation piece in the media, on Twitter and Reddit. This is the sort of success that points towards a standalone launch and perhaps even console releases.

Hall says, “I've made no secret, right from the start, that I want to see this as a stand-alone product. There are a number of people who are definitely interested in doing that. I'm 100 percent confident that we will be coming out soon and telling people that it's going to happen. But obviously, there are a lot of things that we need to line up to ensure that it's in the right place."

DayZ is, he points out, an experiment, and the team are learning new things all the time. The mod is entirely free-to-play, though you still have to purchase ArmA II: Combined Operations.

“The experiment needs to continue," he says. "In terms of consoles, look, I think how Minecraft did it is really good. They nailed down the experience, then they looked at it. But that would really depend on the structure of which development team made DayZ as a stand-alone. There are issues with running such a broad game like ArmA on a console although it's been done before.”

Meanwhile, Bohemia is still developing ArmA III for release later this year, a game Hall was hired to work on early in 2012. Newly transplanted to the Czech Republic and unable to speak the language, he found plenty of free time to work on DayZ, before its success made the game his entire focus.

He says, “It was sad to not be working on that, because it is going to be a really awesome game, but for me I want to see DayZ become its own thing.”

Colin Campbell is a games journalist, based in Santa Cruz, California. You can join him on Twitter or at IGN.


Source : ign[dot]com